Born in Chicago, Illinois, May 21, 1945, Martin Pearlman received training in composition, violin, piano, and theory. He received a B.A. in 1967 from Cornell University, where he studied composition with Karel Husa and Robert Palmer and began studying harpsichord with Donald Paterson. After Cornell, Mr. Pearlman studied harpsichord with renowned harpsichordist and early music pioneer Gustav Leonhardt in Amsterdam on a Fulbright Grant (1967–68). In 1971, he received an M.M. in composition from Yale University, studying composition with Yehudi Wyner, working with noted harpsichordist Ralph Kirkpatrick, and working in the electronic music studio. In 1971, he moved to Boston, where he won the Erwin Bodky competition as a harpsichordist, and began performing widely in solo recitals and concertos. He also was a prizewinner at the Festival of Flanders competition in Bruges, Belgium.
In 1973–74, he founded Boston Baroque (which was called Banchetto Musicale until 1992). With that ensemble, he has conducted many American and world period-instrument premieres of operas, choral works, and instrumental works, including Mozart operas and major works of Bach, Handel and Monteverdi. He has directed Boston Baroque in an annual subscription series in Boston, toured with the ensemble in the U.S. and Europe, and made recordings (principally for Telarc International), three of which have been nominated for Grammy awards.
With modern-instrument ensembles, Pearlman made his Kennedy Center debut conducting The Washington Opera in Handel's Semele, led the National Arts Center Orchestra of Ottawa in the Monteverdi Vespers, and has conducted the Minnesota Orchestra, the Utah Opera, Opera Columbus, Boston Lyric Opera, San Antonio Symphony, the New World Symphony, Omaha Symphony, Alabama Symphony and others.
Pearlman is the only conductor from the period-instrument field to have performed live on the internationally televised Grammy Awards show. [Recording shown at left is their fourth to be nominated for a Grammy]
Although conducting is his main focus, Martin Pearlman is also a successful composer, an acclaimed harpsichordist, and respected scholar.
Pearlman's work as a composer has been influenced by, among others, Carter, Boulez, and certain composers of the following generation. Recent compositions include his 3-act Finnegans Wake: an Operoar on texts by James Joyce; The Creation According to Orpheus for piano, harp and percussion soloists with string orchestra; Beethoven Fantasy on WoO77 for solo piano, and music for three Samuel Beckett plays (Words and Music, Cascando, ... but the clouds ...), commissioned by the 92nd Street Y in New York for the Beckett centennial in 2006, and produced there and at Harvard University in Cambridge, Massachusetts.
Mr. Pearlman has also edited a new critical edition of Armand-Louis Couperin’s complete keyboard works, prepared new performing versions of Monteverdi's operas Il ritorno d'Ulisse and L'incoronazione di Poppea, and created a new orchestration and edition of Cimarosa's Il maestro di cappella.
Since 2002, he has been a Professor of Music, Historical Performance at Boston University, College of Fine Arts, where he directs Baroque ensembles and teaches in the Historical Performance department of the School of Music.
-- Names which are links refer to my Interviews elsewhere on my website. BD
© 2000 Bruce Duffie
This conversation was recorded in Chicago on November 30, 2000. Portions were broadcast on WNIB the following year. This transcription was made in 2017, and posted on this website at that time. My thanks to British soprano Una Barry for her help in preparing this website presentation.
To see a full list (with links) of interviews which have been transcribed and posted on this website, click here.
Award - winning broadcaster Bruce Duffie was with WNIB, Classical 97 in Chicago from 1975 until its final moment as a classical station in February of 2001. His interviews have also appeared in various magazines and journals since 1980, and he now continues his broadcast series on WNUR-FM.You are invited to visit his website for more information about his work, including selected transcripts of other interviews, plus a full list of his guests. He would also like to call your attention to the photos and information about his grandfather, who was a pioneer in the automotive field more than a century ago. You may also send him E-Mail with comments, questions and suggestions.