|Since the times of Jan Kiepura,
Wiesław Ochman has been the first truly world-famous Polish tenor. Born
in Warsaw in 1937, he first had the ambition to become a painter,
before turning instead to vocal studies. In 1960 he joined the Silesian
State Opera and for three seasons undertook a number of major parts
there, while continuing his vocal training with Maria Szłapak. In the
autumn of 1963 he moved to the opera house in Kraków, but a year
later returned to his home city of Warsaw, where the Teatr Wielki was
about to be reopened after rebuilding. His performance as Jontek in
Moniuszko’s Halka, together with three other
productions for the 1965 grand opening of the theatre, became the
turning-point in his career. In the same season he also won success
singing the title rôle in Faust. This resulted in an invitation to
the Berlin State Opera, where he sang the part of Turiddu in Cavalleria rusticana in January 1967, followed by
appearances in Munich and Hamburg. At Glyndebourne he sang Lensky in Eugene Onegin, then Tamino in Die Zauberflöte, appeared in Salzburg and,
something hitherto unheard of for a Polish tenor, gained international
fame as an excellent interpreter of Mozart. In particular he became a
much sought-after performer for the rôle of Ottavio in Don Giovanni, and the title rôle in Idomeneo. In 1972 he appeared at the Paris
Opéra, and in the United States, making his début at the
Metropolitan Opera in New York in 1975 as Arrigo in Verdi’s I vespri siciliani, and going on later to appear
there in Eugene Onegin, Boris Godunov and Khovanshchina. Meanwhile in 1982 he had made his
début at La Scala, Milan, under Claudio Abbado. The recipient of
various official awards in Poland, Wiesław Ochman has an extensive
repertoire both in opera and in oratorio. He has the largest number of
recordings to his credit among all the Polish singers, both from the
present and from earlier generations.
-- Biography from the Naxos website
Besides the awards and honors listed above and below, Ochman won the Gold Medal from the American Institute of Polish Culture in 2005.
Wiesław OchmanHe graduated from the Faculty of Ceramics of the University of Science and Technology in Kraków (1954-60). While studying, he started learning to sing under the tuition of Gustaw Serafin. He completed private studies under the supervision of professors Maria Szłapak, Sergiusz Nadgryzowski and Jerzy Gaczek. He debuted in Bytom in 1960 on the stage of the Silesian Opera as Edgar in Lucia di Lamermoor by Gaetano Donizzeti. In 1965 he sang the part of Jontek in Halka staged to celebrate the opening of the rebuilt Grand Theatre National Opera in Warsaw. In the years 1966-68 he was a member of the Deutsche Staatsoper ensemble in Berlin and then he gave guest performances on all significant opera stages of the world: Hamburgische Staatsoper, Deutsche Oper, La Scalla in Milan, Metropolitan Opera in New York, operas in Barcelona, Paris, Geneva, Zurich, Moscow, Madrid, Chicago, Buenos Aires, Washington, Rome, Salzburg, San Francisco, Seville, Vienna, Brussels, Frankfurt, Zurich, Toulouse, Marseille, and on prestigious musical festivals such as Orange, Glydenbourne Festival Opera etc. He has given concerts on leading stages: Carnegie Hall, Wiener Musikverin, Salle Pleyel in Paris, all philharmonic concert halls in Poland. He has performed with Berlin and Vienna Philharmonikern under the baton of such distinguished conductors as Herbert von Karajan, Karl Böhm, Eugen Jochum, Leonard Bernstein, Nello Santi, Giuseppe Patane, James Levine, Charles Mackerras, Vaclav Neumann, Gert Albrecht, Christoph von Dohnany, John Pritchard, Claudio Abbado, Riccard Mutti, Rafael Kubelik as well as Polish outstanding conductors: Włodzimierz Ormicki, Krzysztof Missona, Stanisław Wisłocki, Witold Rowicki, Stefan Rachoń, Zdzisław Górzyński, Karol Stryja, Jan Krenza, Kazimierz Kord, Tadeusz Strugała, Tadeusz Serafin, Antoni Wit, Jerzy Maksymiuk and others. He acted in performances directed by most distinguished directors such as Erhard Fisher, August Everding, Goetz Friedrich, Joseph Losey, Andriej Tarkowski, Juri Ljubimov, John Dexter, Petrica Ionesco, Evald Schorm, Gian Carlo Menotti, Harry Kupfer, Jonathan Miller and others.
He has made a lot of radio and album recordings of opera, symphonic and popular music for renowned record companies. He played in film version of Tsarevich by F. Lehár (title part) [see photo above], Salome by R. Strauss (as Narraboth) and in Eugene Onegin (as Lenski). After 1999 he took up opera directing.
He had more than 70 individual painting exhibitions. Charity has become an important element of his activity – in April 2012 he participated in 20th Gala Concert of Auxilium Foundation which supported the hospital in Zawiercie. He is the honorary resident of Zawiercie, Bytom and Zelowo. He has been awarded numerous distinctions, including Commander’s Cross of the Order of Polonia Restituta [see photo above]. He is a member of Polish Academy of Arts and Sciences as well as doctor honoris causa of the University of Science and Technology in Kraków and of Józef Ignacy Padarewski Academy of Music in Poznań. He was honoured by the authorities of Zawiercie which named one of the roundabouts after him.
-- Text from the website of the Silesian Opera, Bytom, Silesia, Poland
(photos added for this website presentation)
This interview was recorded in the studios of WNIB on October
10, 1980. Segments were used (with recordings)
on WNIB in 1987, 1990 and
transcription was made and posted on this
website in 2013.
To see a full list (with links) of interviews which have been transcribed and posted on this website, click here.
Award - winning broadcaster Bruce Duffie was with WNIB, Classical 97 in Chicago from 1975 until its final moment as a classical station in February of 2001. His interviews have also appeared in various magazines and journals since 1980, and he now continues his broadcast series on WNUR-FM, as well as on Contemporary Classical Internet Radio.You are invited to visit his website for more information about his work, including selected transcripts of other interviews, plus a full list of his guests. He would also like to call your attention to the photos and information about his grandfather, who was a pioneer in the automotive field more than a century ago. You may also send him E-Mail with comments, questions and suggestions.