|Roberta Peters was born on May
4, 1930, in New York City. Despite their modest means, her parents,
Ruth (Hirsch), a milliner, and Sol Peterman, a shoe salesman, arranged
the private tutoring in language, piano, drama, and ballet that made
possible their only child’s remarkable career. In 1949, after hearing
her audition in the studio of her teacher, William Herman, the late
renowned impresario Sol Hurok took Peters under his wing, despite her
youthful nineteen years and complete lack of performing experience.
Hurok arranged her audition for Rudolf Bing, then general manager of
the Metropolitan Opera, which led to a contract to appear as the Queen
of the Night in Mozart’s The Magic
Flute. As fate would have it, the young singer was called upon
several weeks earlier, on November 17, 1950—with just six hours’
notice—to replace an indisposed colleague as Zerlina in Mozart’s Don Giovanni. Since then, Peters
has earned acclaim singing such coloratura “leading ladies” as Lucia in
Lucia di Lammermoor,
Gilda in Rigoletto, and
Rosina in The Barber of Seville,
as well as roles in other styles: Mozart’s Zerlina, Susanna, Despina,
and Queen of the Night; Richard Strauss’s Zerbinetta; Johann Strauss’s
Adele; Donizetti’s Adina and Norina; and Menotti’s Kitty, a role she
created for the American premiere of The
Last Savage at the Metropolitan Opera. She also added roles in
romantic operas, including La
Traviata and La Bohème,
to her repertoire, with much success. In fact, Peters has achieved the
longest tenure of any soprano in the history of the Metropolitan Opera.
A performer in fifty-seven Texaco radio broadcasts heard live from the
Met, she also made an unprecedented sixty-five appearances on the Ed
Sullivan television show.
Beyond her success on American stages, the renowned singer has performed in operas, concerts, and recitals with some of the world’s greatest conductors and orchestras. Peters made her European debut as the Bohemian Girl under the direction of Sir Thomas Beecham at London’s Covent Garden. Her performance as Queen of the Night under the direction of Karl Böhm at the Salzburg Festival won high praise, as did her appearances at the Kirov Theater in Leningrad and the Bolshoi Theater in Moscow, where she became the first American-born artist to receive the coveted Bolshoi Medal.
With varied repertoire ranging from baroque masterworks of Bach and Handel through German lieder, French, Italian, Spanish, and English art songs, and American folk songs, Peters has presented recitals and master classes throughout the world. In 1979, she traveled to the People’s Republic of China. Tours of Japan, Korea, Hong Kong, and Taiwan followed in 1987, 1988, and 1990.
Peters has also been a popular recitalist and master teacher on the American college and university scene. Her successes there—and throughout the world—have been acknowledged with the awarding of honorary doctorates from Lehigh, St. John’s, Rhode Island and Richmond universities, as well as from Elmira, Westminster, Colby, New Rochelle, and Ithaca (where she serves as honorary trustee) colleges.
While maintaining a schedule averaging forty concert appearances each year, Roberta Peters also lent her efforts to a variety of social causes. She served as chairwoman of the National Cystic Fibrosis Foundation for several years and has appeared in concerts benefiting AIDS research. She has taken an active role in efforts to promote government funding for the arts and serves on the boards of the Metropolitan Opera Guild and the Carnegie Hall Corporation. She is also an artistic advisor on the boards of the Kravis Center for the Performing Arts and the Jupiter Theatre in Florida.
President John F. Kennedy first invited Peters to appear at the White House and she has appeared to sing for every president since. In 1991 she was appointed by President Bush to a five-year term on the National Council on the Arts. President Clinton awarded Peters the 1998 National Medal of Arts, and two years later, New York City Mayor Giuliani awarded her the Handel Medallion, a tribute to individuals who have enriched the city’s cultural life. Roberta Peters has made Israel and music of Jewish interest an important priority in her life. Although she received no formal Jewish education, she learned to speak Yiddish as a child from her grandmother, who spent most of the year living with the Peterman family while her husband served as maitre d’ at Grossinger’s Hotel in the Catskill Mountains, and with whom the young Roberta attended an Orthodox synagogue. Yiddish folk songs have always been an integral part of Peters’ many performances for synagogue audiences and other Jewish groups. She has been a prominent spokesperson for many Jewish causes, including the Hebrew University, where she established the Roberta Peters Scholarship Fund, and Israel Bonds, and has served on the board of the Anti-Defamation League. Peters has appeared often in Israel, performing to benefit her endowed scholarship, and for soldiers in 1967, when she and her colleague Richard Tucker were caught in Israel during the Six-Day War. In addition to performing contemporary works by leading composers Aram Khatchaturian, Paul Creston, and Roy Harris, Peters appeared in the 1973 Carnegie Hall premiere of Darius Milhaud’s Ani Ma’amin (with libretto by Elie Wiesel) and in the 1982 premiere of Abraham Kaplan’s Kedushah Symphony. In 1992 she received Bnai Brith’s Dor L’Dor Award, the organization’s highest honor, and in 1997, the National Foundation of Jewish Culture awarded her its Jewish Cultural Achievement Award in Performing Arts for “her talent, her charm, and her commitment to the arts as well as to the Jewish people.”
Although opera has played the defining role in her artistic life, Peters has also performed in operetta, musical comedy and film. Early in her career she played a feature role in the movie Tonight We Sing (1953), and she returned to film to appear in City Hall in 1996. An avid tennis player, Peters has also appeared in several celebrity tournaments.
-- Text from a biography by Marsha Bryan Edelman on the Jewish Women's Archive website.
[Photos added for this website presentation.]
These are (mostly) from a multi-page spread
in LIFE magazine, October 8, 1951
© 1981 & 1993 Bruce Duffie
These conversations were recorded in Chicago on December 13,
1981 and June 17, 1993. Portions were broadcast on WNIB in 1985,
1990, 1994, 1995, 1997 and 2000. An unedited audio copy of the
second interview was placed in the Archive
of Contemporary Music at Northwestern
University. This transcription was made in 2015, and
posted on this
at that time.
To see a full list (with links) of interviews which have been transcribed and posted on this website, click here.
Award - winning broadcaster Bruce Duffie was with WNIB, Classical 97 in Chicago from 1975 until its final moment as a classical station in February of 2001. His interviews have also appeared in various magazines and journals since 1980, and he now continues his broadcast series on WNUR-FM, as well as on Contemporary Classical Internet Radio.You are invited to visit his website for more information about his work, including selected transcripts of other interviews, plus a full list of his guests. He would also like to call your attention to the photos and information about his grandfather, who was a pioneer in the automotive field more than a century ago. You may also send him E-Mail with comments, questions and suggestions.