Michelle DeYoung has already established herself as one of the most exciting artists of her generation
She has appeared with many of the world's leading orchestras, including the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Minnesota Orchestra, Pittsburgh Symphony Orchestra, The Met Orchestra (in Carnegie Hall), the Met Chamber Ensemble, Vienna Philharmonic, BBC Symphony Orchestra, Royal Philharmonic Orchestra, Philharmonia Orchestra, Orchestre de Paris, Bayerische Staatsoper Orchestra, Berliner Staatskapelle, Sao Paulo Symphony, and the Concertgebouworkest. She has also appeared in the prestigious festivals of Ravinia, Tanglewood, Aspen, Cincinnati, Saito Kinen, Edinburgh, Salzburg, and Lucerne.
The conductors with whom she has worked include Daniel Barenboim, Pierre Boulez, James Conlon, Sir Colin Davis, Stéphane Denève, Christoph von Dohnányi, Gustavo Dudamel, Christoph Eschenbach, Bernard Haitink, Manfred Honeck, James Levine, Lorin Maazel, Zubin Mehta, Kent Nagano, Seiji Ozawa, Antonio Pappano, Andre Previn, David Robertson, Donald Runnicles, Esa-Pekka Salonen, Mariss Jansons, and Michael Tilson Thomas.
Ms. DeYoung has also appeared with many of the finest opera houses of the world including the Metropolitan Opera, the Lyric Opera of Chicago, the Houston Grand Opera, the Seattle Opera, the Glimmerglass Opera, La Scala, the Bayreuth Festival, Berliner Staatsoper, the Opera National de Paris, the Thèâtre du Châtelet, and the Tokyo Opera. Her many roles include Fricka, Sieglinde and Waltraute in The Ring Cycle; Kundry in Parsifal, Venus in Tannhäuser, Brangäne in Tristan und Isolde, Dido in Les Troyens, Eboli in Don Carlos, Marguerite in La Damnation de Faust, Judith in Bluebeard's Castle, Gertrude in Hamlet, Jocaste in Oedipus Rex, and the title role in The Rape of Lucretia. She also created the role of the Shaman in Tan Dun's The First Emperor at the Metropolitan Opera.
In recital, Ms. DeYoung has been presented by the University of Chicago Presents series, the Ravinia Festival, Weill Recital Hall, Alice Tully Hall, San Francisco Symphony's Great Performances series, Cal Performances in Berkeley, SUNY Purchase, Calvin College, the Pittsburgh Symphony, Roy Thomson Hall, the Thèâtre du Châtelet, the Gulbenkian Foundation (Lisbon) the Edinburgh Festival, London's Wigmore Hall and Brussels's La Monnaie.
Ms. DeYoung's recording of Kindertotenlieder and Mahler's Symphony No. 3 with Michael Tilson Thomas and the San Francisco Symphony for SFS Media was awarded the 2003 Grammy Award for Best Classical Album. She has also been awarded the 2001 Grammy Awards for Best Classical Album and Best Opera Recording for Les Troyens with Sir Colin Davis and the London Symphony Orchestra. Her growing discography also includes a new recording of Mahler Symphony No 3 with the Chicago Symphony Orchestra and Bernard Haitink; Bernstein's Symphony No. 1, "Jeremiah"; with the BBC Symphony Orchestra and Leonard Slatkin for Chandos, Das Klagende Lied with the San Francisco Symphony and Michael Tilson Thomas for BMG,and Das Lied von der Erde with the Minnesota Orchestra for Reference Recordings. Her first solo disc was released on the EMI label.
This season, Ms. DeYoung makes her debut at the Basel Opera as
Amneris in Aïda, sings Das Lied von der Erde
the Met Orchestra and Oedipus Rex with the Boston Symphony
Orchestra, both conducted by James Levine, and appears in performances
of Bluebeard's Castle with Esa-Pekka Salonnen and the New
--biography from the artist's
website, March, 2011
interview was held in a conference room backstage in the pavillion at
the Ravinia Festival in Highland Park, IL, on July 27,
2000. Portions were used (along with recordings) on WNIB in
January, 2001. The
transcription was made in 2010, and posted on this
website in 2011.
To see a full list (with links) of interviews which have been transcribed and posted on this website, click here.
Award - winning broadcaster Bruce Duffie was with WNIB, Classical 97 in Chicago from 1975 until its final moment as a classical station in February of 2001. His interviews have also appeared in various magazines and journals since 1980, and he now continues his broadcast series on WNUR-FM, as well as on Contemporary Classical Internet Radio.You are invited to visit his website for more information about his work, including selected transcripts of other interviews, plus a full list of his guests. He would also like to call your attention to the photos and information about his grandfather, who was a pioneer in the automotive field more than a century ago. You may also send him E-Mail with comments, questions and suggestions.