|Recognized as one of the most authoritative
interpreters of vocal music of the 20th century, Phyllis Bryn-Julson commands
a remarkable repertoire of literature spanning several centuries. Born in
North Dakota, she began studying the piano at age three. She enrolled in Concordia
College in Moorhead, Minnesota, studying piano, organ, voice and violin.
She received an Honorary Doctorate from Concordia in 1995. After attending
the Tanglewood summer music festival, she transferred to Syracuse University,
studying voice with Helen Boatwright, completing her BM and MM degrees. During
these college years, she made her debut with the Boston Symphony in Boston,
Providence, RI, and Carnegie Hall in New York. She ultimately sang with this
orchestra and the New York Philharmonic dozens of times.
Ms. Bryn-Julson collaborated with Pierre Boulez and the Ensemble Intercontemporaine for much of her career, taking her to numerous festivals in Europe, Canada, Australia, New Zealand, the former Soviet Union, and Japan. She has premiered works of many 20th century composers, some of which were written for her. Included in this list are Boulez, Messiaen, Goehr, Kurtag, Holliger, Tavener, Rochberg, Del Tredici, Rorem, Carter, Babbitt, Birtwistle, Boone, Cage, Felciano, Wuorinen, Aperghis, and Penderecki.
In recent years, Ms. Bryn-Julson gave performances of Kurtag's Kafka Fragments in New York at the Guggenheim Museum with Violaine Melançon, violinist. She took part in the Radical Past series in Los Angeles, giving four performances of the great works of Milton Babbitt, John Cage, Cathy Berberian, and Luciano Berio. She toured with the Peabody Trio throughout the United States and Canada, and recorded works of Samuel Adler for the Milken Foundation in Barcelona. She also toured with the Montreal Symphony, performing the award winning opera Il Prigioniero by Dallapiccola. Performances occurred at Carnegie Hall, and in Montreal. Following this, she premiered the same work in Tokyo, Japan, where it was staged and televised. With Southwest Chamber Music Society, Ms. Bryn-Julson has performed and recorded the complete works of both Ernst Krenek and Mel Powell. Last season she premiered and recorded An American Decomeron by Richard Felciano, commissioned by the Koussevitsky Foundation, and written for her and the Southwest Chamber Music Society.
With over 100 recordings and CD's to her credit, Ms. Bryn-Julson's performance of Erwartung by Schönberg (Simon Rattle conducting) won the 1995 best opera Grammaphone Award. Her recording of the opera Il Prigioniero by Dallapiccola won the Prix du Monde. She has been nominated twice for Grammy awards; one for best opera recording (Erwartung), and best vocalist (Ligeti Vocal Works). She has received the Amphoion Award, The Dickinson College Arts Award, The Paul Hume Award, and the Catherine Filene Shouse Award. She was inducted into the Scandinavian-American Hall of Fame in 2000. She was the first musician to receive the United States - United Kingdom Bicentennial Exchange Arts Fellowship. She received the Distinguished Alumni Award from Syracuse University, the Peabody Conservatory Faculty Award for excellence in teaching, and the Peabody Student Council Award for outstanding contribution to the Peabody Community.
Ms. Bryn-Julson has appeared with every major European and North American Symphony Orchestras under many of the leading conductors such as Esa-Pekka Salonen, Simon Rattle, Pierre Boulez, Leonard Slatkin, Leonard Bernstein, Claudio Abbado, Seiji Ozawa, Zubin Mehta, Gunther Schuller, and Erich Leinsdorf.
Ms. Bryn-Julson's students continue to win prizes and awards, and have made careers in some of the leading opera houses and orchestral venues. They have had contracts in opera houses in Zurich, Duesseldorf, Vienna, Paris, Lyons, London, and Sydney, and in America, the Metropolitan Opera, Houston, Minnesota, Philadelphia, Seattle, and Washington, D.C
-- From the website of the Peabody Institute of Johns Hopkins University, where she is Chair of Voice
[Note: Names which are links (both in this biography, and below in the conversation) refer to interviews with Bruce Duffie found elsewhere on this website.]
This interview was recorded at her hotel following the Chicago Symphony
concert of May 9, 1991. Segments were used (with recordings) on WNIB
in 1995 and 2000. A copy of the unedited audio was placed in the Archive of Contemporary Music at Northwestern University. The transcription
was made and posted on this website in 2013.
To see a full list (with links) of interviews which have been transcribed and posted on this website, click here. To read my thoughts on editing these interviews for print, as well as a few other interesting observations, click here.
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Award - winning broadcaster Bruce Duffie was with WNIB, Classical 97 in Chicago from 1975 until its final moment as a classical station in February of 2001. His interviews have also appeared in various magazines and journals since 1980, and he now continues his broadcast series on WNUR-FM, as well as on Contemporary Classical Internet Radio.You are invited to visit his website for more information about his work, including selected transcripts of other interviews, plus a full list of his guests. He would also like to call your attention to the photos and information about his grandfather, who was a pioneer in the automotive field more than a century ago. You may also send him E-Mail with comments, questions and suggestions.